Gareth A Hopkins ist ein Künstler und Illustrator aus Südostengland. Er ist spezialisiert auf abstrakte Comics.
Weitere Informationen und einen vollständigen Überblick über Gareths Werke finden Sie unter http://www.grthink.com/about.html
Gareth A Hopkins is an artist and illustrator from South-East England.He specialises in abstract comics.
For more information and a complete overview of Gareth’s works, see http://www.grthink.com/about.html
Kurze Auswahl aktueller Arbeiten / Brief selection of recent works:
Longform
- Tuesday's Salted Curse (ESFR), 2021 (self published)
- Not This House, 2021 (self published)
- Those Hills, Where They Lead (ESFR), 2021 (self published)
- The Children Of The Valley (ESFR), 2021 (self published)
- The Hum (ESFR), 2020 (self published)
Shortform (anthology appearances)
- Found Forest Floor (excerpt), 2021 (featured in Creating Comics, A Writer’s and Artist’s Guide and Anthology by Chris Gavaler and Leigh Ann Beavers, Bloomsbury Publishing)
- Bullwise (ESFR), 2020 (from Octo-Emanations, edited by Carter Kaplan, International Authors)
- DSN, 2021 (from The Good Comics Reader Vol.2, Good Comics)
- The Caves of Ahuna Mons, 2020 (from Colossive Cartographies, Colossive Press)
- Butter, 2019 (from Jazz Creepers 2, Strip For Me Publishing)
- Untitled, 2019 (from The Seas anthology, Body Parts Publishing)
Online Releases – these are short comics, often produced as part of a wider process, but released online for free
- The Exploding Mess (Too Dry To Rot Phase 5, Comic 1), 2019
- Too Dry To Rot Phase 5, Comic 2, 2019
- Too Dry To Rot Phase 4, 2018
- Too Dry To Rot Phase 3, 2018
Exhibited work
- Kludde, 2019 (ink on paper) Shown as part of the Lakes Comics Art Festival’s Windows Trail
- Scramble, 2019 (ink on paper) Shown as part of Three Colt Gallery’s Limehouse Open Salon
- The Dust Blows Forward And The Dust Blows Back, 2019 (mixed media) Shown at Young Blood Initiative’s Infinite Wheel Of Time, London
- Alpha Flight Special 1987, 2018 (podcast, ink on paper) Shown as part of Young Blood Initiative’s The Authentic Fake, London
- Ypres August 1918, from a photograph by Raoul Bertele, 2018 (ink on paper) Shown as part of the Lakes Comics Art Festival’s Windows Trail